I have some very exciting news...
The designers of the Edison Bar -- Stacie Jaye Meyer and Tony Egan -- have agreed to be interviewed by The Steampunk Home.
Stacie is a decorative painter, and while most of her work isn't visible on Dave Bullock's popular flickr set, she does have some shots on her website (choose "commerical" -- the first 5 are of the Edison Bar). Here is a quick small sample:
I'm not entirely sure what Tony did, but I assume a substantial amount of "everything else."
I'd like to do this interview in a style pioneered by Slashdot -- with reader submitted questions. If you would submit your questions in the comment section below, I'll edit it down to 10 or so good ones, send it to Stacie and Tony, and publish the results. Of course, I'll give the submitters links/credits (don't forget to include your website if you want a link).
I'm about to leave for my summer vacation -- expect a blogging hiatus for a while, but some good Ottoman Empire Steampunk posts when I get back -- so I'm going to take questions in the comments for 2 weeks.
So -- start thinking! What do you want to know about the Edison Bar? Where they sourced all those cool generators? What was the inspiration? How you can get the same effects for your home?
Please help me spread the word so we get some good questions!
I believe that Steampunk is more than just brass and watchparts. It's finding a way to combine the past and the future in an aesthetic pleasing yet still punkish way. It's living a life that looks old-fashioned, yet speaks to the future. It's taking the detritus of our modern technological society and remaking it into useful things. Join me as I search for items for my house that combine the scientific romanticism of the Victorians with our real present and imagined future.
Friday, July 13, 2007
Thursday, July 12, 2007
Decorative Imaging prints Traditional Wood Marquetry
The summer edition of O At Home has an article on a New York company called Decorative Images who generates extremely traditional decorative surfaces by printing them onto wood veneer with a large format digital printer.
The men choose wood from the the thousands of high-resolution textures in their digital library. "We have scans of 600 different sheets of oak," Kusek says. "It's like having a lumberyard in your computer." To simulate a patina, they add layers of computerized grime.
There is also an article about the firm online at the Wide Format Imaging website.
In addition to custom work for decorators, they are debuting a line of tiles, borders, and medallions that the rest of us could use in our decorating.
They are worth a look, and then at least an hour of draydreaming on how you could hack traditional design motifs to make them steampunk, if you only had access to a large format printer. (Or what you could do at home on your laser printer with a small piece of wood veneer. Perhaps a case for a obscure scientific device?)
The men choose wood from the the thousands of high-resolution textures in their digital library. "We have scans of 600 different sheets of oak," Kusek says. "It's like having a lumberyard in your computer." To simulate a patina, they add layers of computerized grime.
Before
After
There is also an article about the firm online at the Wide Format Imaging website.
In addition to custom work for decorators, they are debuting a line of tiles, borders, and medallions that the rest of us could use in our decorating.
They are worth a look, and then at least an hour of draydreaming on how you could hack traditional design motifs to make them steampunk, if you only had access to a large format printer. (Or what you could do at home on your laser printer with a small piece of wood veneer. Perhaps a case for a obscure scientific device?)
Monday, July 9, 2007
Maschinenleuchten
An old post on Brass Goggles, and a new one on Boing Boing, both point to these Maschinenleuchten (machine lights) by artist Frank Buchwald.
Each object is manually produced from up to 200 individual parts (Including hand-made globe, type 01 or glasscylinder type 10). Each light is therefore unique.
Steel and brass parts produced from raw steel and brass, and burnished by hand, creating a black surface structure with a brownish hue. The brass parts are given a fine finish and the steel parts are treated with the silky matt finish.
The voltage is 230V (110V with voltage converter). Electricity flows through visible wires made of black and yellow textile cables and sometimes encased in flexible brass tubes.
Effective special bulbs and light tubes with partially visible filaments or yellow surface evaporation allow the Machine Lights to glow mysteriously.
The low volume production takes place in Berlin and requires a manufacture time of 4 weeks and more depending of the model.
There's even a short photo-essay on how they are made.
I loved the one above with it's art deco lines. (It's reassuring to me to find art deco and steampunk coexisting so elegantly, since I love them both so.)
It's implied they are for sale, but, as my father says "If you have to ask you can't afford them."
Curio Cabinet
A very surreal music video ("Motus" by Seb Martel) that takes place in a steampunkesqe bookshelf found by The Practical Archivist.
Delightfully cluttered, full of wonderful things, no?
Delightfully cluttered, full of wonderful things, no?
Friday, July 6, 2007
Links for the week of July 1
Thursday, July 5, 2007
Edison Bar Analyzed
I've been looking at the pictures of the Edison Bar since TinkerGirl posted them on BrassGoggles recently. I think this is the most complete example of steampunk decor I've seen anywhere, and there's a lot of ideas to use.
Let's remember that good design has a tension that is created via juxtaposition, and I'd like to point out a few ways the Edison Bar's design team achieved that juxtaposition. I'm referencing pictures in the order they are embedded in the flickr slide show above. All images are by David Bullock (eecue).
If you picked it up, turned it over, and shook it out very little would be Victorian -- the Victorian feel is achieved entirely in the furnishings, but in very few of the built in features. (Good news for those of us who do not live in Victorian houses!) The space is industrial, modern, gritty. The warmth and comfort comes from the furniture, the fabrics, the rugs. This is an interesting answer to something I've been struggling with -- how do you decorate "steampunk" without having your home look like a Victorian knockoff?
There are additional pictures on the Edison Bar's website (choose "Visual Tour") as well as here, here, and here.
Readers, what else do you see that you'd be able to use in your home?